Merrily standing, while the crew (lights, props, camera) sets the airplane, determining camera positioning and movement- the supervising costumer queries where are the stewardesses’ jackets. Researching prior to fitting, every 1990s airline uniform I found had a long boxy (ugly) coat.  “They weren’t fit with one” says one costumer, shortly after which the main man buttons one up my fellow background stewardesses.  Tugging to adjust, it’s off her with an “If the shoe fits” and onto me: Like a glove!  Leading to my subsequent placement, by the 1st AD- Adam- outside the entrance of the plane, however, the added costume piece was vetoed because the two ‘featured’ stewardesses were in jackets.  The scene set, Martin Scorsese walked in, a foot away from me, big toothy smile and a nod looking right into my eyes.

The main characters’ action was behind my back, challenging the timing of my cue.  Stumbling, a commotion stirs inside the plane door, JUST after which I cross, clipboard in hand.  Intention: to hear [when will I get eyeballs in the back-of-my-head like mom] specifically when a pass through space is cleared enough, while not leaving a lag, yet allotting perfect pacing bereft of bunching the entryway with other boarders.  Following take one, Adam instructs “five beats sooner”; ensued by take two’s  “ten beats later”.  The concern became star/producer Leonardo DiCaprio was, and is earnestly respected for, relaxing into the scene, taking more time and space– succumbing to the depth of the character’s drugged state- creating a background awkwardness.  Imagine Marty during filming, watching his screen, wanting, understandably as an artist, the frame to look just so with a good pacing of background actors.

‘Respect’ is a pale word for a director of Mr. Scorsese’s caliber.  Once, he stepped in to speak to DiCaprio, I heard him quietly say “It will work better with the cut if you do it this way”.  He can see the edit in his mind’s eye as the camera is rolling.  In real life, this scene was probably a cumbersome event.  We moved on after maybe nine takes, and I’m still “the redhead” called back for a second exciting day on-set.

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