Katrina PerkinsOvernight (noun) work”day” begins near sunset, filming through the darkness of night, usually exteriors, ending the next morning with the changing of the morning sky a half hour before sunrise.

Fraturday (noun)  an overnight on a Friday, ending Saturday morning.

Last week I worked a three “day” overnight booking filming a movie with Dave Franco.  I was a masked character in a group of hundreds, but the location was amazing and should look really great for the onscreen finale. Let it be known: One overnight throws your sleep schedule off for at least a day, or even two.  By the time you get home, the sun is up and most everyone else is rising and shining.  Trying to sleep for more than a few hours is an effort, waking only a couple hours later, then trying to function on half the sleep normally necessary- the day drags as much as you do.  I cannot wait to take a shower and call it an early night and go to bed at a [once dreaded] child’s bedtime of 8 pm.

Back-to-backs can be a challenge, even when they are not overnights, especially when the project booked is different from one day to the next.  Inevitably, the first show will work 14-15 hours, wrapping really late.  By the time you get home, pack the requested wardrobe for the next day’s movie with the Murphy’s Law call-time of 5:30 am, three hours of sleep is usual.  Thus, back-to-back bookings eventually wear you down, requiring time to recoup, in the hopes of preventing a fall to illness, which can take you away from work opportunities even longer.

I owe myself eight hours of sleep; between the three consecutive overnights and one Fraturday just past- this is when being a napping pro would come in useful.  If it is a rainy day, I can nap, or a hot day when nothing is really scheduled… otherwise, the mind will not shut-up long enough to fall asleep in the middle of the day. Today, I napped!  Tomorrow, I go to a softball game to cheer on the SAG-AFTRA team in Central Park!  Hard work deserves some fun in the sun!!

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